We have already discussed how a single chord may convey different musical meaning in different contexts. We will begin to discuss how a composition is structured over time and how certain musical features aid the listener in parsing their experience into manageable, meaningful parts.Īs we will soon see, these features are closely related to relationships heard between successive members of a harmonic progression. In this chapter, we will consider some of the similarities between listening to tonal Western art music and listening to speech. A comparison with spoken or written language, then, will be instructive, particularly since a number of music theory terms are borrowed from linguistics. Most composers, performers, and listeners agree that music conveys something-an idea, a story, an emotion-to the listener. ![]() ![]() ![]() Diatonic Polyphony and Functional HarmonyĢ2.
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